I have reviewed the present Paths to Abstraction exhibition on at the Gallery of New South Wales in Sydney. The exhibition brings together over 150 pieces from Impressionism, Nabis, Fauvism, Cubism and Dada, to name a few. The basic premise of the exhibition challenges the idea of a hegemonic narrative and suggests is that there was no single movement to abstraction in European art but rather the paths to abstraction in were varied and unpredictable. The article can be read here in the New Linear Perspectives the literary arts and culture journal.
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